As the sun leans in closer for a warm embrace and Mother Earth takes her first steps towards revitalization, the time has come to celebrate spring’s long-awaited arrival. So, what better way to welcome it than with a brand new release that is so beautiful, it’d make even the most gifted of songbirds envious?
Chase Cohl’s EP Dear Dear: Volume I is absolute euphoria. Consisting of four tracks, it embodies a similar feeling to surrendering your skin to the divinity of sunshine; it is nothing short of pure comfort and invigoration. This is my first proper introduction to the enormously talented singer-songwriter who, also, explores the worlds of fashion and poetry. Hearing these songs for the first time felt like coming home after a long and tiring journey, intoxicated with the pure joy of being right where you want to be.
Dear Dear begins with “Special Situation,” a song so blissful and pleasing to the ears, it’s only right to stick around for more. The backing harmonies paired with the flawless intertwinement of Cohl’s voice and the dreamlike, vintage instrumentals make this song an undeniable winner in my book. If you’re in search of a song to dance along to with a glass of wine, look no further.
Track two, “Take It Like A Man,” took on the role as the EP’s single, and it did its job phenomenally. It’s what I had first heard from Cohl while aimlessly scrolling through Instagram just mere days ago, and I knew right off the bat that I needed to write about her. After (very quickly) falling entirely entranced by the song’s colorful, 1960s-inspired sound, I genuinely could not get it out of my head. Watch the music video here!
“Still Crying,” despite bearing somber lyrics about the woes of break-ups, carries such a playful and bright tune. The back-and-forth between Cohl and the backing vocals throughout the chorus is truly satisfying and addictive to listen to. On top of that, its bridge dips into an enchanting pool that lulls you into a brief daydream just before getting right back into the song’s upbeat magic once more.
The fourth and final track, “I Can’t Live Without You,” just might be my favourite. It paints an image in my head so effortlessly, and I could easily see it as the score to a film’s montage scenes. Despite it being the EP’s shortest song, it possesses so much beauty and airiness that you pay no mind to its duration. It strikes something deep within me that is impossible to shake, and to say I adore every single aspect is an understatement.
In short, this is one masterpiece of an EP. Elegance and perfection can be heard all throughout, and because I am a newer listener, I will most certainly be taking a dive into more of Chase Cohl’s material (and you should, too!).
(Cover photo by: KRISTIN GALLEGOS)