Why We Love: Alex Chilton

Alex Chilton has become something of a hero to multiple generations of alternative rockers, power pop enthusiasts, and music lovers in general. First rising to fame in the late ’60s with the band The Box Tops, Chilton was just a teenager when the band’s debut single, “The Letter,” became a number one hit. For three more years, the group continued to release hits, though after multiple lineup changes, the group split.  Having been the frontman of a successful band for multiple years, Chilton could have done whatever he wanted. He contemplated going to college, he worked on multiple solo songs, and he was even considered for the position of singer in Blood, Sweat, and Tears. Instead, he decided to do none of these things and went on to form a band called Big Star. There could easily be an entirely separate article about how great Big Star is, and maybe that will come down the line, but I’ll keep it simple here and say that Chilton should have easily had another hit group under his belt. Big Star’s first two albums were incredibly well orchestrated, written, and produced, with folk-tinged ballads meeting soaring power pop and heart-pounding rock. However, due

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Why We Love: Alex Chilton

Alex Chilton has become something of a hero to multiple generations of alternative rockers, power pop enthusiasts, and music lovers in general. First rising to fame in the late ’60s with the band The Box Tops, Chilton was just a teenager when the band’s debut single, “The Letter,” became a number one hit. For three more years, the group continued to release hits, though after multiple lineup changes, the group split.  Having been the frontman of a successful band for multiple years, Chilton could have done whatever he wanted. He contemplated going to college, he worked on multiple solo songs,

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Cowboyy: Britain’s Latest Bandits

If you’re a Londoner like myself who seemingly can’t stay away from the holy trinity of music venues, The Windmill, The Sebright Arms and The New Cross Inn,  you’d have certainly already heard about Cowboyy. The latest 4-piece lineup to come storming out of the UK’s woodwork has already rightly attracted the attention of music heads and BBC 6 DJs alike with their exceptional first single ‘Gmaps’.  At first glance, the band’s lineup is a patchwork of secondary school stereotypes, each styled like the four kids in your class you’d never thought would interact, let alone form a band. But

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Jessica Winter: “I Want to Find Something Real”

With a soaring magic carpet ride of a voice and a talent for writing pop hooks that rivals anybody on the charts today, Jessica Winter’s sound can’t be tucked neatly into any identifying genre but exists in a liminal space between electro-pop and indie goth, laced with jagged, searing punk rock rawness.

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Maggie The Cat: Donne Moi Ta Chose

“Donne Moi Ta Chose,” is the third single from Maggie the Cat’s, forthcoming album on Trashmouth Records (the title of which remains shrouded in delicious anticipation.) Expect kitsch, campy, glamour with avant-garde pop leanings and generous lashings of the old Madonnatron witches brew that we know and love.

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Children of the Pope: Thalidomide Boy

Juno Valentine, the group’s front man and chief lyricist, spoke about the song’s meaning in-detail: “The song is a short story I created about a juvenile opiate dealer who suffers from a sleep walking disorder…”

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Touch Me: The Ringards

Opening in the same way you would imagine a hit 1980s detective show, with a strong, parasitic bass line guaranteed to live in your ear for days to come, East

Steely Dan: pyncher

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Bishopskin and religious iconography are like bread and butter. Not only is it in their band name, song names, and running through their lyricism like a golden thread, but it

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