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Indie/Indie Rock Soul/R&B Why We Love

Why We Love: Steve Lacy

Steve Lacy man, straight out of Compton and what a talent. Not only being just 22, but starting his career when he was just 15. Absolutely ridiculous. Multi-instrumentalist, songwriter, singer and producer. This man has produced music for ‘Denzel Curry’, ‘Mac Miller’, ‘J Cole’ and ‘Kendrick Lamar’. (Just to name a few), as well as being the guitarist for the band The Internet, he’s collaborated and guest appeared on tracks with ‘Kali Uchis’, ‘Vampire Weekend’, ‘Thundercat’ and ‘Tyler, The Creator’ (Again, just to name a few). He writes his own solo music and oh, he records everything on his iPhone. Yeah, I’ll give you a moment.

Lacy started young, making beats using Garageband using an iRig cable and his phone, and today is a highly respected professional producer and musician. Steve uses a technique he calls ‘The Bare Maximum’ which explains how you can create brilliant content, even with only the most basic set up. He cites ‘Thundercat’, ‘Black Moth Super Rainbow’, ‘Erykah Badu’, ‘Pharrell WIlliams’ and ‘The Neptunes’ as his major influences, and crediting ‘Mac DeMarco’ as one of his biggest influences in terms of production, all of which is evident throughout his work. He also describes his sound as ‘Plaid’ like the material due to him seeing a plaid shirt and stating it ‘looks’ like his music ‘sounds’, with there being ‘loads going on’ but ‘none of it clashes’. 

Back in 2017, Steve released his first solo work, a project referred to as a song series, ‘Steve Lacy’s Demo’, an EP compiled of songs written and produced since 2015. The year before his solo debut he released the single ‘Some’, which was an immediate hit, showcasing indie, soul and lo-fi elements. ‘Some’ showcased his work through minimalism production  and simplistic craft, but in a way that stands out and makes a big impact especially upon your initial listen, all recorded and produced on his iPhone, really showed and proved his theory of the bare maximum. Later the following year we were treated to ‘Dark Red’ which was his most notable work of his solo material. Darker sounds, tight drum loops, a groovy bassline and killer vocals. Upon the release of the EP, Lacy dropped the music video for ‘RYD / Dark Red’. 

The same year he co-wrote and produced Ravyn Lenae’s EP ‘Crush’, and with the drop of Kendrick Lamar’s Grammy winning album DAMN., the song ‘Pride’ was produced by him, where you can really hear the styles of Lacy’s work, from the swirling guitar to the programmed drums, Lacy’s presence is practically in the room with you. 

It’s with all the work Lacy has been a part of where you really get to experience his ‘Plaid’ style, and understand just how much his influences have had on him. But after releasing more music with the Internet and working with many more artists, in 2019 he dropped his first solo LP, Apollo XXI, released a day after his own 21st birthday. The album flaunts off a subtle expansion of the sounds from his earlier solo work, but with the sheer amount of songs he’s been a part of, dedicated followers will have been able to see and hear his sound develop as he integrates such revolutionary elements such as a second phone, or Ableton drum patches, all the while staying true to his plaid practice. The album received quite obviously well deserved acclaim, being nominated for a Grammy award for Best Urban Contemporary Album. 

Apollo XXI is a whirlpool of funk, RnB, indie and soul, as it talks about Lacy’s life after the release of his first EP, topics of break-ups, success, his evolving style and image of himself, as well as views on the world. The track ‘Like Me’ featuring DAISY is a notable one, split into a three part journey that explores and talks about Lacy’s sexuality, something DAISY and himself connected with during the writing and recording process. Lacy has openly announced that he is bisexual, and the struggles of coming to terms with that being raised as a Christian. All of which is evident in the song with lyrics such as “This is about me and what I am – I didn’t wanna make it a big deal – But I did wanna make a song, I’ll admit – Uh, I just wanna, just see who can relate” and “How many scared to lose their friends like me?”. Something that fans part of the LGBTQ+ community can definitely relate to. 

The single ‘Playground’ from the album shows off some real dirty funk that really makes you wanna dance, matched with a music video heavily influenced by music video’s and effects from the ’70s, all while staying modern and crisp. 

Over the last five years we’ve seen a surge in bedroom pop artists, the indie scene has never seen so much creativity and it’s a wonderful thing to see, hundreds of young musicians who would once never attempt to complete their dreams of being a creative due to the lack of resources, but Steve Lacy proves that in the ocean that is the next generation of young homemade artists, you can make beats, produce and make your own songs from absolutely nothing, you can make it big with some basic free software on your smart phone, Lacy doesn’t just make music, but he inspires so many people, to follow his footsteps and do the same, figure out their sounds, discover new artists and create. I cannot wait for the next project Lacy works on because the man has the Midas touch, there’s a thrilling part about discovering Steve because of the pure magnitude of work he’s been a part of, you discover so much more than one artist, you get the whole Argos catalogue. Do yourself a favour and start listening to the biggest record producer and musician we’ve seen in way over a decade. Get in early, experience plaid, experience Lacy and get comfortable for the ride that will be his evolution. 

Comparisons to icons such as Brian Eno, Dr Dre, Mark Ronson and Calvin Harris do get mentioned when talking about the likes of Lacy, but between you and me, I have a pretty strong feeling Steve Lacy will be a bigger household name in the years to come. We’ve only had Lacy’s prowess for five years, and he’s already done so much. The sheer thought of what’s possible in the next 5, 10 or even 20 years gives me shivers. This is somebody you do not want to sleep on. Lacy’s top tracks will be right down below, check out just a small taster of his work on the ‘This Is Steve Lacy’ playlist on Spotify, and get ready for the future. 

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Jazz/Blues Soul/R&B Why We Love

Why We Love: Black Joe Lewis & The Honeybears

James Brown has been reborn – Black Joe Lewis is quite possibly a music legend out of his time. It’s been a long 16 years from his days as a seafood delivery man and pawnshop employee to the now multi-album success he is today, and that journey hasn’t been easy. In March this year, Lewis and his band ‘The Honeybears’ hit back with their single ‘Five Dollars’ after a 2-year break since their last studio album, The Difference Between Me & You. They bring back with them their immense soul sound and Lewis’ phenomenal voice. It’s made us incredibly excited to hear what other music could be in the works.

Sometimes I find myself listening to a Spotify playlist sent to me, enjoying all the songs that come up one by one, and then a song comes on which just hits differently. A Soul classic which has escaped my radar? No, a song released only this year – Black Joe Lewis & The Honeybears.

Their music layers Lewis’ evocative lyrics over fantastic guitar riffs and striking horns which are reminiscent of Charles Bradley’s Menahan Street Band. You wouldn’t be able to tell if these records were recorded today or decades ago, the inspiration of classic artists like James Brown and Howlin’ Wolf are so heavily embedded that the classic sound of old soul records is weaved throughout.

Joe Lewis first picked up a guitar whilst working in a pawn shop in Austin Texas in the early 2000s. After discovering classic blues records and teaching himself to play, he spent years performing at open mic nights, small venues and bars, never making much of a name for himself. It wasn’t until the release of his debut EP Black Joe Lewis and The Cold Breeze, that he had a hit with the truly incredible ‘Bitch, I love you,’ and thereafter, everyone seemed to know who Black Joe Lewis was.

In subsequent years, Lewis toured alongside the band Spoon, the drummer of which, Jim Eno, then produced Lewis’ debut album ‘Tell ‘Em What Your Name Is!’ which quickly alerted the rest of the music industry to his presence.

This peak of success was shortlived however, things soon began to decline for Lewis. A combination of band and management conflicts resulted in a drop in album sales, the loss of festival bookings and a collapse in the band’s name and popularity.

It wasn’t long before Lewis found himself back where he started, having recently released their 2018 album The Difference Between Me & You, it was met with almost no attention, sales or interest.

Along with this, Lewis’s costly recent divorce, his newborn child and an outstanding debt of $50,000 in management fees, Lewis nearly saw an end for his music career. He debated giving up and finding a ‘real job’ in order to pay for all this and to take responsibility for his child.

But as so many of his musical inspirations have found, in hard times, music was the only light at the end of the tunnel and the only way forward.

Now under new management, Black Joe Lewis & The Honeybears are making a powerful comeback with their smashing new single ‘Five Dollars.’ Bringing back with them their fantastic guitar and horn-driven sound to a track which has seemingly reignited their careers and caused a rush of discovery for their recent album which almost went unnoticed, giving it the attention it was denied at the time of its release. Once again, Black Joe Lewis and the Honeybears have got our attention, and this time I don’t expect they’ll let that slip away once more.

As soul and blues music once made its way across the Atlantic and ignited a fire across the world, Black Joe Lewis has been inspiring the second revolution of blues, soul and rock and roll.

This is great music, dancing music, and above all, music that makes you feel good, something the world desperately needs right now.

There isn’t a single song of theirs I can say I dislike. Listening to them is like jumping in a time machine and travelling back to the golden age of Funk and Soul, something I wasn’t around to experience but can now fully appreciate. Unlike those past music legends, Black Joe Lewis is still very much a living, breathing man who I’m excited to go and see live once I have the chance to. To all those Soul, Blues and Rock and Roll fans who think music isn’t what it used to be, take a listen to Black Joe Lewis and transport yourself.

Black Joe Lewis & The Honeybear’s new single ‘Five Dollars’ is available to listen to now, and if the incredible story of his past few years hasn’t inspired you, the feeling in his music will.

Categories
Indie/Indie Rock Pop/Indie Pop Soul/R&B Why We Love

Why We Love: Maya Delilah

It’s so rare to find a proper up and coming artist to really dig into, but god am I glad I found Maya Delilah. For fans of Sycco, Her’s, Gus Dapperton, Clairo and The 1975; Delilah is someone you absolutely must get familiar with. Her debut EP Oh Boy was released at the start of July, a smooth, lofi, chill pop EP that just makes you wanna bathe in the sun and forget about your troubles, and experience the inner thoughts of Maya’s wonderfully playful world. 6 tracks of pure majesty, with phenomenal production, elements that sound inspired by Tame Impala, crossed with John Mayer adding the soundscape of Her’s baked into the musical pie that is Delilah’s Oh Boy. And the even better news? She’s already been teasing snippets from her second EP, yet to be officially announced, but damn does her new material sound just as slick as the songs on Oh Boy and I am genuinely ecstatic for it.

The fabulous video for her song I’m Just Stupid was shot from home during quarantine, and to help make the video, she asked fans to send in drawings to feature in the video, and as you can see, she got a LOT of drawings, which is a wonderful thing for an artist to do to engage with their audience, and something I sincerely hope she doesn’t grow distant from as time goes on.

Maya’s silky voice serenades you throughout the EP, taking you on a journey that just takes your breath away, which is ironic when you consider the title of the closing track, Breathe Easy. Delilah manages to blend such familiar sounds in such unique ways that make it feel like such a fresh sonic experience in the abundance of soundcloud and bandcamp chill hop artists looking for homes within your music libraries, Maya defies this, spreading a bubbly narrative of her life. Her songwriting ability is absolutely killer too, catchy hooks and riffs that just cut right through the mix, melodies that you just cannot get out of your head, it’s infectious. Not to mention the fact that she’s a ridiculously talented guitarist, with the comparison to John Mayer mentioned by fans on multiple occasions. I mean just listen to the solos in I’m Just Stupid and Breathe Easy and try to deny it. You can’t. It may be bold to say, but it’s true and that’s the tea sis. She even managed to write and release Safe, a quarantine inspired track back in March, so power to you.

She was featured on an artist spotlight for Marshall and it’s there where you really get a vibe for who Maya is, and you really start to see from the music she grew up with and how it’s moulded her style. It’s brilliant to see young musicians buzz with genuine creativity, who really know their stuff, appreciate the cultures and genres they’ve been introduced to, and be able to experience the glee that is their talent, not in uptight way, but to really see them have freedom and crucially, fun and enjoyment in their own music, all the while staying humble. Honestly it’s crazily inspiring.  She also delves into how she started writing, and like we’ve seen with the likes of Georgia, shows how these days you don’t need to know a guy who knows a guy who knows a guy to get signed and get your music out there. You can carefully craft your art at home, or as simply as singing and soloing over looped chords from a Boss Loop Station, you can build a following through apps like Instagram and TikTok. You can use your art and your passion and make a career out of it, and it’s wonderful to see.

She’s also been doing a fantastic job at inspiring young girls to pick up a guitar and get into music, utterly proving that girls can rock a guitar just as well as the boys thank you very much. Give Maya a guitar and a looper pedal and she could inspire anyone for hours, there’s just something so present about the way she writes, plays and sings her songs that can’t really be described. Whether it’s the relatable lyrics from waking up wondering where your cat is, to ignoring what others think about your relationship because you know it’s right.

Delilah is an absolute delight, and you’re a fool to not listen to her music and keep tabs on when more is due to arrive to melt our ears. You can follow her on Spotify, Instagram and even TikTok (@mayadelilahh) where you may even get a sneak preview of upcoming songs such as Moonflower.

Maya Delilah leaves you wanting more, and gives you this floaty optimistic feeling. Someone who really knows and has perfected their craft already at such a young age, the future for Delilah is going to blow up and we can’t wait. A hidden gen Z gem that you’re sure to revel in.

Top tracks are I’m Just Stupid, Tangerine Dream, Gato, URU, Breathe Easy and Safe. 

If you’re not listening to Maya Delilah, then Oh Boy… are you missing out. I leave you with the music video for her EP’s closer, Breathe Easy and just see for yourself. An upcoming artist that is not to be reckoned with.