Liam Thomas Lynch

Liam Thomas Lynch

Liam Thomas Lynch is a writer who delves into today’s biggest Indie and Rock bands hitting the scene. There isn’t much he can’t tell you about some of today’s most admired artists. Liam also has a special sense for finding exciting up and coming young songwriters.

How To Let Go – Sigrid

Wow, I cannot believe Sigrid invented music. That’s how I felt after hearing the latest LP from singer/songwriter/superstar Sigrid. First of all, I’d like to point out that 2022 has gotten off to a fantastic start for the release of new music. Hell, this month alone has already made me nervous about just how this year’s wrap-up of our favourite albums will go down. But between you and I, I think I’ve found my winner. Upon the release of “Mirror” last year, I was ecstatic about the potential of Sigrid’s next musical outing. Sucker Punch was already one of my favourite albums of 2019, but my goodness,

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WE – Arcade Fire

Has it really been five years since Everything Now, perhaps one of Arcade Fire’s most polarising albums? And my my, what a road we’ve been on since then. So, it begs the question: Arcade Fire, where are we at? After the release of “The Lightning” I and II, we see that Win Butler and friends have taken a more traditional approach to their songwriting; not too dissimilar to sounds you’d find off any of their albums from Funeral to the Suburbs, but obviously with a much tighter approach to production. To me, WE sounds like the bridge between The Suburbs and Reflektor, and I’m all for it.

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Fix Yourself, Not The World

The Wombats have really outdone themselves, not to anyone’s surprise, however. If you’ve been a fan of the Liverpudlian trio for any amount of time, you’ll have seen firsthand that Murph, Tord, and Dan are an unstoppable indie force that isn’t to be reckoned with.  Since the release of the band’s last record Beautiful People Will Ruin Your Life, the boys have gone on to play across the world, conquer TikTok, and release bundles of music within individual projects. The hammer of the 2020 pandemic put a spanner in the works for the traditional way of writing and recording new music, so with the band separated between

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The Return of The Wombats!

Praise the marsupial gods, it wasn’t a one-off! The Wombats are back with a new single and the announcement of their fifth studio album, “Fix Yourself, Not The World.” Upon dropping “Method To The Madness,” fans were treated to a chill, lo-fi track with a bite, a very different sound to come from the magnificent minds of The Wombats (but a very welcome one, nonetheless). Clearly, the time between their last album and side project efforts has culminated with the bounds of free time the last year has ‘gifted’ us to birth a brand new direction for the band. This isn’t any “blah” music that just has

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UPGRADE YOUR PLAYLISTS 2

We’re back. You want more music and we wanna share it. Get ready to pick your crème de la crème and upgrade your playlists with the tunes we can’t stop thinking about. American Beauty – Biig Piig Biig Piig’s latest EP takes a much more rounded and softer approach in the textures of her music, but closer track American Beauty brings the noise up like the alternative rock bands from the 00’s, showing her versatility and talent yet again. Energy – Pa Salieu FT. Mahalia Meet Pa Salieu, the winner of BBC Sound of 2021. Redefining and keeping the wheel turning, this is one rapper who you

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Looking Back: This Modern Glitch

God, I can’t believe I’m writing this but, a whole ass DECADE has passed to the day since Matthew Murphy (Love Fame Tragedy), Dan Haggis (Dan The Man), and Tord Øverland Knudsen, better known together as the iconic indie band The Wombats released their second full-length LP; This Modern Glitch. To this day one of the most interesting drops of an indie band who rose to fame in the late 00’s because of the left turn it took. Now I’m not saying it’s as sharp a turn as something like Radiohead’s Kid A was to OK Computer, but This Modern Glitch completely reinvented The Wombats sound at

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Why We Love: Hello Yello

Very recently I was shown a live video session of Hello Yello and immediately I was hooked. If you ask me what music I’ve been addicted to this month it’s just been Hello Yello. Well, them and Harry Styles’ solo albums but that’s a story for another time. Now I’ll be honest right off the bat, I barely know anything about this band, and I’ve been looking online to find out more about them but as of right now I’m at a loss, so I’m going to let the music speak for itself here, and start you off with the track that got me addicted. Like wow?

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Looking Back: Submarine EP

10 years ago, Alex Turner’s ‘Submarine’ EP released, featuring songs written for the film of the same name. If you’ve seen Richard Ayoade’s Submarine, then you’ll know how perfect a match Turner’s songwriting was for that film, the jaded atmosphere of Oliver Tate’s empty and almost stunted world, as he goes through the struggles of his parents dwindling marriage and his own love spell with a girl at school. The matched reverb riddled and stripped-back approach to Turner’s songwriting makes for such an interesting experience with the context of the Arctic Monkeys’ albums that sandwich the EP. Relinquished from the deep desert production of Humbug, and far

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Looking Back: I like it when you sleep, for you are so beautiful yet so unaware of it

Five years ago The 1975 dropped their monumental album I like it when you sleep, for you are so beautiful yet so unaware of it, or as I’ll be referring to it (because effort gah) as ILIWYS. If you thought the 80s vibes couldn’t be topped after their self-titled debut, “aha, you are dead wrong”. The 1975 are a band with so much more to offer than your typical indie-pop band, delivering an entire era defined by it’s words and art, to the point of their live shows encapsulating the entirety of their songs personalities, The 1975 are a statement to the word ‘Artist’. I think it’s

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Why We Love: Dan Haggis

Yeah okay, I did plan on just doing a review of Haggis’ latest solo album Brightly Coloured Creatures but truth is, I couldn’t with a healthy conscience ignore the other work that he’s strived to make. Now I’ve written a review of his solo album Circadian Circus which if you missed you should definitely check that out, but I think (especially right now) with the state of the world and how disproportionately it’s affected the livelihoods of musicians, I think it’s only right to share with you even more of Haggis’ work, give him the rightly deserved streams he deserves. So to focus on Sunship Balloon’s Everywhen

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