SHARE THIS ARTICLE

Share on facebook
Share on twitter

Creators Monthly: January

Kicking off our new year with a bang, here are some spectacular rising artists you need to be listening to. Welcome to an all-new edition of Creators Monthly, music submitted to us by you, our readers. Take it away!

Darity

Linsley Hartenstein, who goes by the name Darity is a singer/songwriter from Ohio and the first artist to be featured not once, but twice in Creators Monthly. Her recent single Silver Spoon had us hooked from the get-go in October last year, as her phenomenal voice and songwriting talent simply blew us away. Darity’s new single, Everything, delivers on all of the promises laid out by her earlier work and feels like a natural next step for her continuously evolving style. The dream-pop feel we’ve come to love her for is weaved beautifully throughout, but no single ever sounds the same. When we featured Darity once before, we had a sneaky suspicion she would be one artist to watch. If her skyrocketing Spotify figures are anything to go by, then there really is no limit to how high she might soar next.

Add to playlist (Spotify)

Jessica Luise

Jessica Luise is a singer from Manchester whose new single Nice Try is a blissfully bittersweet tale of events, perfect listening for fans of Biig Piig or Beabadoobee. Over lockdown and away from the calamities of everyday life, a lot of Jess’ songwriting inspiration comes from daydreaming about fictional relationships with characters of her favourite television shows. Listening to her music is like walking through the melancholic dreams of an empathetic young woman, living a life beyond the confines of her home. Dreams which, for this artist, have given a wealth of new material to contribute towards her astounding sound. Within the northern indie scene especially, the music of Jess Luise is a new treat.

Add to playlist (Spotify)

BEL

For fans of The Night Cafe and Katy J Pearson. Isabel Whelan, better known as BEL combines your typical indie sounds we’ve all come to love and stirs a hefty dollop of folk in that mix. Her third single and first of 2021 Treading Water is a great brooding and intimate track that compels you to drive windows down and just vibe. Talking about the initial concept of the song, Whelan said she wrote Treading Water in late 2018, after graduating from college and having a bit of an existential crisis as you do. Her friend played the chords on guitar and suddenly all the emotions poured out and the song may as well have written itself. Heralded as “some kind of underground, indie, Rumours-era Fleetwood Mac” soundscape which I think perfectly captures the atmosphere of BEL, and leaves us excited for what else is in store for the LA singer. So don’t forget to check out more of BEL’s releases.

Add to playlist (Spotify)

Amber Ais

Amber Ais from Boston, MA began her career in music as a young girl who loved nothing more than singing at her local church. After being given a guitar for her birthday, as so many great musicians did, she set forth into the world with songs of her own. Her music holds the same charming and emotive qualities of the gospel which inspired her, combined with other flavours together gives Amber a sound all of her own. These songs are all about the experiences of a young woman in Boston. Her music is gentle, joyful and full of life. It’s the perfect lift needed to get you through another month of lockdown and, true to the style of the music which she loved to sing so dearly, makes you feel part of something bigger.

Watch out on the 26th of February for Amber’s new single Better Without Me, a ‘pop-inspired anthem’ about ‘the bitterness and inadequacy of how your life compares to others.’ Amber already gave us a listen, and it’s one you should definitely be excited about.

Add to playlist (Spotify)

James Leprettre

With his first release since EP Quiet Scenes, James Leprettre’s latest single Paper Bag is the quintessential tune for those lonely isolated days we’re all bathing in at the moment. For fans of Alexandra Saviour and Dan The Man, Leprettre’s blend of acoustic folk with slick modern production makes for a desolate sound which matches any mood you could possibly need it to. It’s something to relate to but blissfully beautiful enough for an escape of the world’s repetitive madness. Paper Bag’s music video is superb, it’s simple yet effective and perfectly captured the vibe of the tune. Catchy melodies, well-written tracks and videos which stick to your retinas.

James Leprettre is somebody to keep a very close eye on. Don’t forget to check out his EP Quiet Scenes for more of that hug of folky goodness.

Add to playlist (Spotify)

Jozem

Jozem’s Black Night EP includes the incredible track Stay. The tune packs a remarkable music video and a stunningly ambient sound. Hailing from Toronto, Canada, Jozem’s music is described as ‘experimental-soul, dark, mysterious and alluring’. Gifted with a voice that somehow blends the tones of 80s neo-soul with modern pop falsetto, his music dances in your ears like moonlight over water. Jozem describes himself as a bit of a ‘dreamer’, and in his new single Dreams, we get a more in-depth look. The song talks about, what he remembers as, a time of great uncertainty in his life. The new single is due for release on the 5th of February and having already had a sneak peek, we can tell you’re in for a real treat. Stay up to date with his releases on Instagram.

Add to playlist (Spotify)

LOBSTERBOMB

With a name like LOBSTERBOMB, you can’t not be just a little intrigued by the madness of their music could you? Formed in a Berlin basement, this is a band who don’t go gently into the night. For fans of Wolf Alice, Dream Wife, Amyl and The Sniffers, this band’s kickass sound includes a somewhat lush quality seen to be making a comeback with the likes of IDLES and The Garden. Yes Yes Yeah is a song that demands to be dialled up to eleven. It’s raw, energetic and has an electrifying quality which leaves you moshing in your own bedroom. The overdrive vocals combined with a 60’s rock n roll flare bring together the very best of two famous eras in music. As this is only their debut single, it leaves us curious as to what this band will conjure up next. Their first EP is expected later this year, we’re sure you’ll hear it coming before it hits you.

Add to playlist (Spotify)

Thanks to all the musicians who submitted their music this month, make sure to keep an eye out for more brilliant artists this year. We’ll see you next time.

The TWM Team

Make music? In a band? We want to hear from you! Submit now for a chance to be featured in next month’s Creators Monthly.

Can’t wait for more? Read last months issue here.

Share on facebook
Facebook
Share on twitter
Twitter

Recommended for you:

Why We Love: The Cleaners from Venus (aka Martin Newell)

In 1980, Newell formed The Cleaners from Venus with Lawrence “Lol” Elliot, though since then, he has remained the only consistent member. Under this moniker, Newell has released a multitude of albums, and this isn’t even taking into consideration his wealth of material under his own name. Starting with Blow Away Your Troubles, Newell showed the world what to expect from The Cleaners from Venus: wonderful, jangly music that was staunchly lo-fi.

Read More »

An Analysis of The Beach Boys: 1967-74

From 1967 to 1974, The Beach Boys proved themselves to be remarkable composers, lyricists, and musicians, even with the dwindling participation of Brian, though he still contributed songs and ideas from time to time. Starting with Wild Honey and ending with Holland, there were ideas and gems abound on each tracklist.

Read More »

The BIGMUTHA of all

Tennessee rapper Brittnee Moore (aka bbymutha) adds another jewel to the crown with her latest EP – left4dead.  With 3 songs and under 15 minutes long, it is a compelling journey through the visionary power that fuels bbymutha. Her ethos? As clear as ever: bold, sex-positive, and stress-free. The “part 1” EP is one of the few bite-sized tapes that Moore has been putting out since she announced last summer that she intends to retire. We’re glad she decided not to, for now, although her ambivalence to fame is keeping us on our toes. The former Miss Cherry Cocaine struck gold when she returned to making music full time 5 years ago. Moore has been successfully mining her surroundings for inspiration since; from ain’t-shit dudes and sleazy women to her hometown Chattanooga and toxic relationships – her music never fails to make it clear that she’d “rather be a villain

Read More »

Why We Love: Pons

I’ll start off this article with two words: two drummers. I’ll add another two for good measure: no bassist. That’s right, Pons is a three-piece band featuring a guitar, vocals, drums, and more drums. They’re truly a sight and sound to behold.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Why We Love: Young Guv

The chorus of the song, which was called “Only Wanna See U Tonight,” floated into my ears. The song had the trappings of late 70’s power pop mixed with the sheen of mid-90’s alt rock. Shining guitars popped out over crisp drums, melodic bass, peppy tambourine, and the almost saccharine vocals of the project’s mastermind, Ben Cook.

Read More »

IRATION STEPPAS – DUBS INNA 3000 STYLE

This month for your favourite bus read, I want to discuss dub music. It’s a deeply influential genre that never disappoints and still, little is known about it and its protagonists. Digging into its fascinating history is always a treat, not so much through written accounts but by witnessing a tradition that still prevails on the dancefloor, almost 60 years from its inception in Kingston, Jamaica. I recently went out to see Iration Steppas celebrate their 30th birthday at Trinity Centre in Bristol and it was as neat as I hoped it would be. It had been a while – I almost forgot how potent and uplifting dub can be; it’s like an assault to the senses with its thrill-building reverbs, psychotropic sirens, and guts-shaking bass. It sways you off your feet in the best way possible, especially when played by its top vanguards. Here’s a taster of my awesome

Read More »

Why We Love: The Umbrellas

I am an absolute sucker for Sarah Records bands. I first came across the label after seeing a picture of The Field Mice on Instagram. Thinking that they looked cool, and knowing that the band Seapony had covered one of their songs, I gave them a listen and was blown away. The jangly guitars, the punchy drum machines, the melodic bass, and the poetic lyrics quickly endeared me to the late 80’s-early 90’s indie band. Once I had dug through their catalogue, I began checking out the rest of Sarah Records’ roster, finding such amazing bands as Another Sunny Day, Brighter, and 14 Iced Bears. All these bands had vastly different yet oddly similar sounds, and I began searching for any sort of modern-day equivalent. Despite my keen eye, The Umbrellas still hit me like a brick wall. Again finding them through a random encounter on Instagram, I noted the

Read More »

Why We Love: The Cleaners from Venus (aka Martin Newell)

In 1980, Newell formed The Cleaners from Venus with Lawrence “Lol” Elliot, though since then, he has remained the only consistent member. Under this moniker, Newell has released a multitude of albums, and this isn’t even taking into consideration his wealth of material under his own name. Starting with Blow Away Your Troubles, Newell showed the world what to expect from The Cleaners from Venus: wonderful, jangly music that was staunchly lo-fi.

Read More »

An Analysis of The Beach Boys: 1967-74

From 1967 to 1974, The Beach Boys proved themselves to be remarkable composers, lyricists, and musicians, even with the dwindling participation of Brian, though he still contributed songs and ideas from time to time. Starting with Wild Honey and ending with Holland, there were ideas and gems abound on each tracklist.

Read More »

The BIGMUTHA of all

Tennessee rapper Brittnee Moore (aka bbymutha) adds another jewel to the crown with her latest EP – left4dead.  With 3 songs and under 15 minutes long, it is a compelling journey through the visionary power that fuels bbymutha. Her ethos? As clear as ever: bold, sex-positive, and stress-free. The “part 1” EP is one of the few bite-sized tapes that Moore has been putting out since she announced last summer that she intends to retire. We’re glad she decided not to, for now, although her ambivalence to fame is keeping us on our toes. The former Miss Cherry Cocaine struck gold when she returned to making music full time 5 years ago. Moore has been successfully mining her surroundings for inspiration since; from ain’t-shit dudes and sleazy women to her hometown Chattanooga and toxic relationships – her music never fails to make it clear that she’d “rather be a villain

Read More »

Why We Love: Pons

I’ll start off this article with two words: two drummers. I’ll add another two for good measure: no bassist. That’s right, Pons is a three-piece band featuring a guitar, vocals, drums, and more drums. They’re truly a sight and sound to behold.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Why We Love: Young Guv

The chorus of the song, which was called “Only Wanna See U Tonight,” floated into my ears. The song had the trappings of late 70’s power pop mixed with the sheen of mid-90’s alt rock. Shining guitars popped out over crisp drums, melodic bass, peppy tambourine, and the almost saccharine vocals of the project’s mastermind, Ben Cook.

Read More »

IRATION STEPPAS – DUBS INNA 3000 STYLE

This month for your favourite bus read, I want to discuss dub music. It’s a deeply influential genre that never disappoints and still, little is known about it and its protagonists. Digging into its fascinating history is always a treat, not so much through written accounts but by witnessing a tradition that still prevails on the dancefloor, almost 60 years from its inception in Kingston, Jamaica. I recently went out to see Iration Steppas celebrate their 30th birthday at Trinity Centre in Bristol and it was as neat as I hoped it would be. It had been a while – I almost forgot how potent and uplifting dub can be; it’s like an assault to the senses with its thrill-building reverbs, psychotropic sirens, and guts-shaking bass. It sways you off your feet in the best way possible, especially when played by its top vanguards. Here’s a taster of my awesome

Read More »

Why We Love: The Umbrellas

I am an absolute sucker for Sarah Records bands. I first came across the label after seeing a picture of The Field Mice on Instagram. Thinking that they looked cool, and knowing that the band Seapony had covered one of their songs, I gave them a listen and was blown away. The jangly guitars, the punchy drum machines, the melodic bass, and the poetic lyrics quickly endeared me to the late 80’s-early 90’s indie band. Once I had dug through their catalogue, I began checking out the rest of Sarah Records’ roster, finding such amazing bands as Another Sunny Day, Brighter, and 14 Iced Bears. All these bands had vastly different yet oddly similar sounds, and I began searching for any sort of modern-day equivalent. Despite my keen eye, The Umbrellas still hit me like a brick wall. Again finding them through a random encounter on Instagram, I noted the

Read More »