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Audiobooks: Synths Like You’ve Never Heard Before

Art student Evangeline Ling and Producer David Wrench are the brilliant duo behind the otherworldly synth-pop band, Audiobooks. Brilliantly thought out alien landscapes crafted by Wrench meet the worldly lyrics of Evangeline Ling. Throw in a touch of Wednesday Addams and a hint of Saruman the Wise and there you have it, a phenomenal band.

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Touch Me: The Ringards

Sophie Linehan February 5, 2023

Opening in the same way you would imagine a hit 1980s detective show, with a strong, parasitic bass line guaranteed to live in your ear for days to come, East London’s latest trailblazing avant-garde five-piece, The Ringards, have birthed yet another masterpiece. Much like the double lives led by detectives, “Touch Me” discusses the intricacies of being a performer: the vulnerability you have to be brave enough to endure and the difficulties in how you represent yourselves as musicians and as people in such a visible and public position. Being “accessible” and “relatable” may be key, but finding a balance between what you decide to give or not give to the audience is just as important. The track opens a conversation relevant to all in the industry, especially in the age of social media, and gives listeners an insight into obstacles of performance. Backing vocals interject throughout the verses, almost

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Sophie Linehan November 5, 2022

Dark, moody, and full of energy and electricity all describe Manchester’s latest underground gem, pyncher, perfectly. The young band exude that raw, dirty, yet artful aesthetic that the post punk space is known for while making it entirely their own – falling somewhere between the gap of post punk and grunge rock. Sam Blakeley’s often elegantly guttural voice, heavily reminiscent of Lux Interior of The Cramps, creates this rich feeling of longing throughout their discography, in a way that, although similar to other punkesque artists, established pyncher as a powerful contender in the scene. Steely Dan, the band’s new single, released by Isolar Records on the 28th October, is a well-loved fan favourite often played at live shows. Opening with a raucously infectious bassline, a disturbing cackle and almost menacing “Hey Steely! What about me man?” from Blakely, the song is one sure to get you jumping along. Full of pent up

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Ave Maria: Bishopskin

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Read More »

Everything All Of The Time: Kid A Revisited

Daniel Lazenby March 27, 2022

Rick Simpson brings new life to Radiohead classics at The Jazz Cafe. Though it’s only a stone’s throw from Camden Town tube station, my dash to The Jazz Cafe on the night of Sunday, 20th February was a wet one.  Outside the venue, the latest in a volley of storms was raging through London’s streets. Inside, meanwhile, a drenched crowd was eagerly awaiting pianist and composer Rick Simpson, who was set to perform Everything All Of The Time: Kid A Revisited, his ode to the seminal Radiohead album.  A madly brilliant, sprawling recontextualisation of Kid A presented by way of jazz quintet, the project sees Simpson taking a scalpel to each track and extracting its core DNA for use as a basis in his crazed experiments. Each minute detail has been immaculately captured in a recording, and whilst I wholeheartedly advise you to grab a copy, I feel that there’s

Read More »

Bishopskin: Lean Closer

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Bishopskin call the track less “primal,” than their recent single, “I Was Born on an Island,” but the injection of a little modernity ultimately showcases the band’s wide range, and adept control at genre-bending.

Read More »

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