Daniel Lazenby

Daniel Lazenby

Miles Apart: Kiwanuka At The Brighton Centre

‘Even if we are miles apart.’   These are the echoing last words of Michael Kiwanuka’s ‘Light.’ They’ve taken on new meaning with all that we’ve been through since its release at the end of 2019, which made finally getting to hear them from the man himself even more liberating.  It’s been a long time coming. He was originally set to embark on a UK tour two years ago in support of his eponymous third album, and while that obviously didn’t go to plan, the wait has proven a valuable asset, giving listeners time to fully absorb the record, and allowing him space to further develop its tunes

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Why We Love: Animals As Leaders

Their meticulous breed of progressive metal is a daunting beast that grooves to an unfamiliar pulse, the alien heartbeat of instrumentalists Tosin Abasi, Javier Reyes, and Matt Garstka. Originally a vehicle for Abasi’s solo work, the project underwent a gradual evolution up until the trio first recorded together for 2014’s The Joy Of Motion, an album that immaculately showcased each of their distinct skillsets and set the stage for their future as a band. With the release of their fifth record, Parrhesia, the reasons for their success are clearer than ever.

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Everything All Of The Time: Kid A Revisited

Rick Simpson brings new life to Radiohead classics at The Jazz Cafe. Though it’s only a stone’s throw from Camden Town tube station, my dash to The Jazz Cafe on the night of Sunday, 20th February was a wet one.  Outside the venue, the latest in a volley of storms was raging through London’s streets. Inside, meanwhile, a drenched crowd was eagerly awaiting pianist and composer Rick Simpson, who was set to perform Everything All Of The Time: Kid A Revisited, his ode to the seminal Radiohead album.  A madly brilliant, sprawling recontextualisation of Kid A presented by way of jazz quintet, the project sees Simpson taking

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Kid A Mnesia: Exhibition – A masterful blend of music and visuals

Teeth grinning wildly. A sea of trees, washed of colour as to appear lifted from a book. These are the first things you see when you load up Kid A Mnesia: Exhibition, Radiohead’s latest venture into virtual art. It’s as you tentatively walk through the only door in sight and ‘Everything In Its Right Place’ creeps in as it creaks shut behind you that the eerie brilliance sets in. From then on, you are left to explore a vast labyrinth commemorating the music of Kid A and Amnesiac, the releases that cemented Radiohead as a madcap force to be reckoned with at the turn of the millennium.

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