SHARE THIS ARTICLE

Share on facebook
Share on twitter

Why We Love: Orgone

‘Orgone’ is a term best described as an esoteric energy or universal life force but more importantly, it’s an incredibly well-fitting name for this musical time machine of a band, that’s continually bringing a magnetic power to groove and soul…

I was genuinely taken aback at how well the West Coast collective capture the sound of classic 60s/70s funk, perfectly delivering an essence that I was searching for more of- specifically from current artists. Their time travelling isn’t just to the heyday of funk though, upon further listening, so many more influences surfaced from New Orleans jazz to modern hip-hop. Perfectly melted together, their sound has resulted in comparisons to not only legends such as Chic and Earth, Wind & Fire but also 21st-century stars like Childish Gambino.

I already recognised a few of their biggest hits (as you might too) but since properly discovering the band I’ve had their tunes playing non-stop. Blending from one to another as seamlessly as their styles are combined, I often find myself in a trance when listening to their mixing pot of sounds. Sometimes it feels like only a fleeting moment has gone by before I’ve made it through an album; always leaving me ready and raring to start the journey all over again. Their bold, flowing mixes and ability to take you to another time and place go to show that it’s not just me in need of their sound in my life as they’re guaranteed to satisfy any musical void that you’re looking to fill or just breath some new life to your playlists.

The California bands’ only consistent members since forming in 1999 are founders Dan Hastie on keys and Sergio Rios on guitar and engineering duties. However, the group has now stood at a solid five members for their last five albums, with Dale Jennings on bass, drummer Sam Halterman and singer Adryon de León joining Hastie and Rios in 2013 to form a more permanent set up. 

Many of their mesmerising tracks tell a story without a single word being sung but León takes things to the next level-shining brighter than ever on their 2019 album ‘Reasons’ with vocals on every track (We Can Make It is a personal favourite of mine). A variety of additional talents from Fanny Franklin to Jesse Wanger are often brought on board for vocal contributions as well; also helping to take things up a notch and ensure a consistently changing sound.

Always fresh and exciting the band are amazing in the studio where they produce their popping tracks and even work with artists such as ‘Queen of R&B’ Alicia Keys. The excitement doesn’t just stop there though as up on stage they really come into their element. Creating a kind of party atmosphere that would have fuelled Studio 54 back in the late 70s they clearly thrive off of their live audience grooving out to their glorious performances. Whether they’re in front of fans, working with top talents or on their own, there’s always an electrifying vibe in the room, as evident in the clip below-

In late September of this year, the band put out ‘Connection’, their appropriately named tenth record that instantly creates a relationship with its audience and bonds together all of their best elements. Kicking off with The Vice Yard you’re hit with powerful horns, sleek guitar licks and a pounding rhythm section; immediately locking you into the experience. The album goes on to provide a more futuristic vibe with tracks like Love Will See Us Through; evoking the the-sci-fi elements of time travel with electronic experimentation and making it clear to see why people are reminded of albums such as Gambino’s ‘Awaken, my love!’. Other stand out songs include The Truth, featuring a marvellously groovy riff and outstanding display of Kelly Finnigan’s husky voice, This One Time; a sweeping Motown dream and the reggae-infused This Space.

Although ‘Connection’ might be the finest exhibition of their greatest strengths it certainly wouldn’t exist without all efforts that came before, where these elements began to materialise. Whether it was using steel drums or synthesizers, Orgone have been making hits since the early days with their self-titled debut album back in 2001 displaying their ability to genre jump and produce superb songs from the very beginning. Truly breaking ground 6 years later with their full length follow up ‘The Killion Floor’ they’ve continued to create hit after hit and I don’t see them stopping any time soon.

Perfect for a chilled-out groove or conquering the dancefloor I strongly urge you to get listening Orgone anytime or any place and be transported by their universal energy.


Listen to Orgone on Spotify now

Share on facebook
Facebook
Share on twitter
Twitter
Subscribe
Notify of
guest
1 Comment
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
James
James
4 years ago

yo this band SLAPS

Advertisement

Recommended for you:

Why We Love: Tee Vee Repairmann

Australia. The backbone of several memes regarding its apparently nightmarish wildlife and the home of the late legend Steve Irwin, it has bred quite a lot of great bands throughout the decades. AC/DC, INXS, Men at Work, and Midnight Oil come to mind. Most recently, a trio called The Chats have been dominating the international punk scene with their humorous, punchy songs. However, The Chats are only the tip of the iceberg when it comes to what’s going down in the land down under. In recent years, a fairly spectacular underground music scene has developed in Australia. Featuring bands such as Gee Tee, R.M.F.C., and Tee Vee Repairmann, the style has been called “Egg Punk” by some, and it typically features fast, distorted barre chords punctuated by loud guitar lines or mellow synths, impenetrable bass, and drums that are so compressed they almost sound mechanized. The vocals are often filtered

Read More »

Why We Love: The Cleaners from Venus (aka Martin Newell)

In 1980, Newell formed The Cleaners from Venus with Lawrence “Lol” Elliot, though since then, he has remained the only consistent member. Under this moniker, Newell has released a multitude of albums, and this isn’t even taking into consideration his wealth of material under his own name. Starting with Blow Away Your Troubles, Newell showed the world what to expect from The Cleaners from Venus: wonderful, jangly music that was staunchly lo-fi.

Read More »

Why We Love: Working For A Nuclear Free City

If you look up the word “Underrated” in the dictionary, you’ll find this band. Formed in Manchester in 1999, Working For A Nuclear Free City was an alternative, nu-gaze, boundary-pushing band that undoubtedly inspired and paved the way for countless bands and artists. With a career that spans just under two decades, the style and sound of their music were constantly evolving and redefining genres, resulting in an eclectic, inspiring, and impressive discography. The band’s self-titled debut album was released in 2006 and quickly gained acclaim from a number of major media outlets, with the BBC stating: “it’s the way that [WFANFC and The Longcut, another British music group] have distilled Manchester’s history into an exciting future brew that makes them important.” Clocking in at just under forty minutes, the album plays like a hazy yet intense dream. One minute you’re floating through melancholic tones with tracks such as “The

Read More »

Everything All Of The Time: Kid A Revisited

Rick Simpson brings new life to Radiohead classics at The Jazz Cafe. Though it’s only a stone’s throw from Camden Town tube station, my dash to The Jazz Cafe on the night of Sunday, 20th February was a wet one.  Outside the venue, the latest in a volley of storms was raging through London’s streets. Inside, meanwhile, a drenched crowd was eagerly awaiting pianist and composer Rick Simpson, who was set to perform Everything All Of The Time: Kid A Revisited, his ode to the seminal Radiohead album.  A madly brilliant, sprawling recontextualisation of Kid A presented by way of jazz quintet, the project sees Simpson taking a scalpel to each track and extracting its core DNA for use as a basis in his crazed experiments. Each minute detail has been immaculately captured in a recording, and whilst I wholeheartedly advise you to grab a copy, I feel that there’s

Read More »

Why We Love: Pons

I’ll start off this article with two words: two drummers. I’ll add another two for good measure: no bassist. That’s right, Pons is a three-piece band featuring a guitar, vocals, drums, and more drums. They’re truly a sight and sound to behold.

Read More »

Why We Love: Rosy Mackinnon

Rosy Mackinnon has been writing songs since the tender ago of 12. She joined her first band at 15, and by 16 had begun commandeering her dad’s computer to record her original tracks. (She figured out how to mix them, using Logic, on her own.) Her debut single, “Getting Home,” was released in December of 2021; her second release, “Kill Me Sarah,” is out today.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Why We Love: Decius

With nine EPs to their credit, the group’s sound shifts lanes from marauding techno to acid house punctuated with unnerving falsetto vocals and unusually intricate lyrics. It’s so rare to find a fresh take on dance music, that when one finds it one should grab it by the jugular and hang on like grim death. But Decius’s addictive rhythms will probably grab you, first.

Read More »

Why We Love: Young Guv

The chorus of the song, which was called “Only Wanna See U Tonight,” floated into my ears. The song had the trappings of late 70’s power pop mixed with the sheen of mid-90’s alt rock. Shining guitars popped out over crisp drums, melodic bass, peppy tambourine, and the almost saccharine vocals of the project’s mastermind, Ben Cook.

Read More »

Why We Love: Tee Vee Repairmann

Australia. The backbone of several memes regarding its apparently nightmarish wildlife and the home of the late legend Steve Irwin, it has bred quite a lot of great bands throughout the decades. AC/DC, INXS, Men at Work, and Midnight Oil come to mind. Most recently, a trio called The Chats have been dominating the international punk scene with their humorous, punchy songs. However, The Chats are only the tip of the iceberg when it comes to what’s going down in the land down under. In recent years, a fairly spectacular underground music scene has developed in Australia. Featuring bands such as Gee Tee, R.M.F.C., and Tee Vee Repairmann, the style has been called “Egg Punk” by some, and it typically features fast, distorted barre chords punctuated by loud guitar lines or mellow synths, impenetrable bass, and drums that are so compressed they almost sound mechanized. The vocals are often filtered

Read More »

Why We Love: The Cleaners from Venus (aka Martin Newell)

In 1980, Newell formed The Cleaners from Venus with Lawrence “Lol” Elliot, though since then, he has remained the only consistent member. Under this moniker, Newell has released a multitude of albums, and this isn’t even taking into consideration his wealth of material under his own name. Starting with Blow Away Your Troubles, Newell showed the world what to expect from The Cleaners from Venus: wonderful, jangly music that was staunchly lo-fi.

Read More »

Why We Love: Working For A Nuclear Free City

If you look up the word “Underrated” in the dictionary, you’ll find this band. Formed in Manchester in 1999, Working For A Nuclear Free City was an alternative, nu-gaze, boundary-pushing band that undoubtedly inspired and paved the way for countless bands and artists. With a career that spans just under two decades, the style and sound of their music were constantly evolving and redefining genres, resulting in an eclectic, inspiring, and impressive discography. The band’s self-titled debut album was released in 2006 and quickly gained acclaim from a number of major media outlets, with the BBC stating: “it’s the way that [WFANFC and The Longcut, another British music group] have distilled Manchester’s history into an exciting future brew that makes them important.” Clocking in at just under forty minutes, the album plays like a hazy yet intense dream. One minute you’re floating through melancholic tones with tracks such as “The

Read More »

Everything All Of The Time: Kid A Revisited

Rick Simpson brings new life to Radiohead classics at The Jazz Cafe. Though it’s only a stone’s throw from Camden Town tube station, my dash to The Jazz Cafe on the night of Sunday, 20th February was a wet one.  Outside the venue, the latest in a volley of storms was raging through London’s streets. Inside, meanwhile, a drenched crowd was eagerly awaiting pianist and composer Rick Simpson, who was set to perform Everything All Of The Time: Kid A Revisited, his ode to the seminal Radiohead album.  A madly brilliant, sprawling recontextualisation of Kid A presented by way of jazz quintet, the project sees Simpson taking a scalpel to each track and extracting its core DNA for use as a basis in his crazed experiments. Each minute detail has been immaculately captured in a recording, and whilst I wholeheartedly advise you to grab a copy, I feel that there’s

Read More »

Why We Love: Pons

I’ll start off this article with two words: two drummers. I’ll add another two for good measure: no bassist. That’s right, Pons is a three-piece band featuring a guitar, vocals, drums, and more drums. They’re truly a sight and sound to behold.

Read More »

Why We Love: Rosy Mackinnon

Rosy Mackinnon has been writing songs since the tender ago of 12. She joined her first band at 15, and by 16 had begun commandeering her dad’s computer to record her original tracks. (She figured out how to mix them, using Logic, on her own.) Her debut single, “Getting Home,” was released in December of 2021; her second release, “Kill Me Sarah,” is out today.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Why We Love: Decius

With nine EPs to their credit, the group’s sound shifts lanes from marauding techno to acid house punctuated with unnerving falsetto vocals and unusually intricate lyrics. It’s so rare to find a fresh take on dance music, that when one finds it one should grab it by the jugular and hang on like grim death. But Decius’s addictive rhythms will probably grab you, first.

Read More »

Why We Love: Young Guv

The chorus of the song, which was called “Only Wanna See U Tonight,” floated into my ears. The song had the trappings of late 70’s power pop mixed with the sheen of mid-90’s alt rock. Shining guitars popped out over crisp drums, melodic bass, peppy tambourine, and the almost saccharine vocals of the project’s mastermind, Ben Cook.

Read More »