SHARE THIS ARTICLE

Share on facebook
Share on twitter

Maggie The Cat: Donne Moi Ta Chose

Released on October 25th, “Donne Moi Ta Chose” is the third single from Maggie the Cat’s forthcoming album on Trashmouth Records (the title of which remains shrouded in delicious anticipation). Expect kitsch, campy glamour with avant-garde pop leanings and generous lashings of the old Madonnatron witches’ brew that we all know and love.

With her white-blonde hair, enormous kohl-lined blue eyes and soulful, crystalline voice, Maggie embodies a Hollywood starlet by way of south London with a sense of humor and a license to kill. Add that to her smart and imaginative songs about desire, murder, bloodshed, longing (and now, in French!) and what more could you possibly want from a pop chanteuse?

“Donne Moi Ta Chose” is described in the label’s release notes as “… a playful dose of scornful disco-sleaze, a mechano-electronic disco anthem for the shameless & the obscene.” The lyrics manage to be both funny and erotic (a difficult task to accomplish, indeed). The line, “savouring your trash/rutting in the aftermath. . .” conjures images of Ann-Margret in Tommy, frolicking in baked beans, melted chocolate and champagne bubbling inexplicably out of a smashed television set and into her white satin bedroom. It’s sexy, funny, weird, a bit surreal, and very, very Maggie. 

Maggie also recently guest-starred on the acid house supergroup Decius’s latest single, “Show Me No Tears,” her husky, soulful vocals dripping deliciously down over the throbbing techno beat. The video for the single shows a slew of orgiastic scenes from the proverbial casting couch, shot in handheld “gonzo-porn” style (to borrow a phrase from Irina Sturges). The track will feature on Decius’s upcoming debut album, Decius Vol. 1.

“Donne Moi Ta Chose” is out now on Trashmouth Records. You can buy the single at the link below. https://maggiethecattrashmouth.bandcamp.com/track/cry-baby-trashmouth-mix

Share on facebook
Facebook
Share on twitter
Twitter
Subscribe
Notify of
guest
0 Comments
Inline Feedbacks
View all comments

Advertisement

Recommended for you:

Adventures in Limbo with Saul Adamczewski

It’s fitting that the final performance of Saul Adamczewski’s latest album, Adventures in Limbo, was staged in a gothic church in south London. Seated on a worn wooden chair on a dais banked with overblown white roses and candle-light, directly above a 300-year-old-crypt, in a church named for the patron saint of the disabled, he leant forward into the mike and intoned: “Dearly beloved…we are gathered here today…to celebrate…me.”

Read More »

Children of the Pope: Thalidomide Boy

Juno Valentine, the group’s front man and chief lyricist, spoke about the song’s meaning in-detail: “The song is a short story I created about a juvenile opiate dealer who suffers from a sleep walking disorder…”

Read More »

How To Let Go – Sigrid

Wow, I cannot believe Sigrid invented music. That’s how I felt after hearing the latest LP from singer/songwriter/superstar Sigrid. First of all, I’d like to point out that 2022 has gotten off to a fantastic start for the release of new music. Hell, this month alone has already made me nervous about just how this year’s wrap-up of our favourite albums will go down. But between you and I, I think I’ve found my winner. Upon the release of “Mirror” last year, I was ecstatic about the potential of Sigrid’s next musical outing. Sucker Punch was already one of my favourite albums of 2019, but my goodness, the soundscape of Sigrid in 2021 blew me away. From “Mirror” to “Burning Bridges,” the heavy emphasis on this broader, heavier, and dirtier sound gave me goosebumps. Opening track “It Gets Dark” majestically defines what you’re in for this time around. With the

Read More »

WE – Arcade Fire

Has it really been five years since Everything Now, perhaps one of Arcade Fire’s most polarising albums? And my my, what a road we’ve been on since then. So, it begs the question: Arcade Fire, where are we at? After the release of “The Lightning” I and II, we see that Win Butler and friends have taken a more traditional approach to their songwriting; not too dissimilar to sounds you’d find off any of their albums from Funeral to the Suburbs, but obviously with a much tighter approach to production. To me, WE sounds like the bridge between The Suburbs and Reflektor, and I’m all for it. The album kicks off with “Age Of Anxiety I” and “II (Rabbit Hole),” and it’s a really strong start: the percussive breaths on “Anxiety I” make for a really effective way to almost unnerve you, and the beautiful piano hook that gets shaken

Read More »

Fucking Hallelujah: Children of the Pope

The Children of the Pope—judging from the band’s name alone, you know you’re in for something good. Signed by Isolar Records in early 2022, the band’s rise since their formation in 2018 (in the “grimiest parts of South London,”) has been meticulously documented by Lou Smith, and they’ve shared stages alongside the likes of Insecure Men, Brian Destiny, and Honkies.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Brian Destiny: Brian’s Got Talent

Brian Destiny (aka Nathan Saoudi of Fat White Family) has been gigging around London as a solo act since 2019. His debut EP, Brian’s Got Talent, was released on February 4th; expect introspective, up-tempo songs from the melodic mastermind behind Fat White Family’s hits such as “Feet,” and “Tastes Good with the Money.” Featured on the EP alongside Brian Destiny are brothers Dante and Gamaliel Traynor, who produced, recorded and co-wrote much of the material.

Read More »

Brian Destiny: “You’ve Got to Be Doing Something with Love.”

The album’s first single, ‘Is it Gonna Be Love?’ neatly sums up the differences between the Fat Whites’ and Brian Destiny’s musical missions. “It’s my basic philosophy, isn’t it? Love. I know it’s a loaded term, but if you can’t find something to do that you love doing, then it’s kind of like…pointless, isn’t it? Whatever it is, you’ve got to be doing something with love. That’s it. That’s the solution.”

Read More »

Adventures in Limbo with Saul Adamczewski

It’s fitting that the final performance of Saul Adamczewski’s latest album, Adventures in Limbo, was staged in a gothic church in south London. Seated on a worn wooden chair on a dais banked with overblown white roses and candle-light, directly above a 300-year-old-crypt, in a church named for the patron saint of the disabled, he leant forward into the mike and intoned: “Dearly beloved…we are gathered here today…to celebrate…me.”

Read More »

Children of the Pope: Thalidomide Boy

Juno Valentine, the group’s front man and chief lyricist, spoke about the song’s meaning in-detail: “The song is a short story I created about a juvenile opiate dealer who suffers from a sleep walking disorder…”

Read More »

How To Let Go – Sigrid

Wow, I cannot believe Sigrid invented music. That’s how I felt after hearing the latest LP from singer/songwriter/superstar Sigrid. First of all, I’d like to point out that 2022 has gotten off to a fantastic start for the release of new music. Hell, this month alone has already made me nervous about just how this year’s wrap-up of our favourite albums will go down. But between you and I, I think I’ve found my winner. Upon the release of “Mirror” last year, I was ecstatic about the potential of Sigrid’s next musical outing. Sucker Punch was already one of my favourite albums of 2019, but my goodness, the soundscape of Sigrid in 2021 blew me away. From “Mirror” to “Burning Bridges,” the heavy emphasis on this broader, heavier, and dirtier sound gave me goosebumps. Opening track “It Gets Dark” majestically defines what you’re in for this time around. With the

Read More »

WE – Arcade Fire

Has it really been five years since Everything Now, perhaps one of Arcade Fire’s most polarising albums? And my my, what a road we’ve been on since then. So, it begs the question: Arcade Fire, where are we at? After the release of “The Lightning” I and II, we see that Win Butler and friends have taken a more traditional approach to their songwriting; not too dissimilar to sounds you’d find off any of their albums from Funeral to the Suburbs, but obviously with a much tighter approach to production. To me, WE sounds like the bridge between The Suburbs and Reflektor, and I’m all for it. The album kicks off with “Age Of Anxiety I” and “II (Rabbit Hole),” and it’s a really strong start: the percussive breaths on “Anxiety I” make for a really effective way to almost unnerve you, and the beautiful piano hook that gets shaken

Read More »

Fucking Hallelujah: Children of the Pope

The Children of the Pope—judging from the band’s name alone, you know you’re in for something good. Signed by Isolar Records in early 2022, the band’s rise since their formation in 2018 (in the “grimiest parts of South London,”) has been meticulously documented by Lou Smith, and they’ve shared stages alongside the likes of Insecure Men, Brian Destiny, and Honkies.

Read More »

Why We Love: Glasvegas

I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.

Read More »

Brian Destiny: Brian’s Got Talent

Brian Destiny (aka Nathan Saoudi of Fat White Family) has been gigging around London as a solo act since 2019. His debut EP, Brian’s Got Talent, was released on February 4th; expect introspective, up-tempo songs from the melodic mastermind behind Fat White Family’s hits such as “Feet,” and “Tastes Good with the Money.” Featured on the EP alongside Brian Destiny are brothers Dante and Gamaliel Traynor, who produced, recorded and co-wrote much of the material.

Read More »

Brian Destiny: “You’ve Got to Be Doing Something with Love.”

The album’s first single, ‘Is it Gonna Be Love?’ neatly sums up the differences between the Fat Whites’ and Brian Destiny’s musical missions. “It’s my basic philosophy, isn’t it? Love. I know it’s a loaded term, but if you can’t find something to do that you love doing, then it’s kind of like…pointless, isn’t it? Whatever it is, you’ve got to be doing something with love. That’s it. That’s the solution.”

Read More »