
Review: “Stella Splendens” by Bishopskin
“Stella Splendens” is a perfect marriage of inspiration, musical talent, and people having a good time.
“Stella Splendens” is a perfect marriage of inspiration, musical talent, and people having a good time.
Australia. The backbone of several memes regarding its apparently nightmarish wildlife and the home of the late legend Steve Irwin, it has bred quite a lot of great bands throughout the decades. AC/DC, INXS, Men at Work, and Midnight Oil come to mind. Most recently, a trio called The Chats have been dominating the international punk scene with their humorous, punchy songs. However, The Chats are only the tip of the iceberg when it comes to what’s going down in the land down under. In recent years, a fairly spectacular underground music scene has developed in Australia. Featuring bands such as Gee Tee, R.M.F.C., and Tee Vee
Alex Chilton has become something of a hero to multiple generations of alternative rockers, power pop enthusiasts, and music lovers in general. First rising to fame in the late ’60s with the band The Box Tops, Chilton was just a teenager when the band’s debut single, “The Letter,” became a number one hit. For three more years, the group continued to release hits, though after multiple lineup changes, the group split. Having been the frontman of a successful band for multiple years, Chilton could have done whatever he wanted. He contemplated going to college, he worked on multiple solo songs, and he was even considered for the
In 1980, Newell formed The Cleaners from Venus with Lawrence “Lol” Elliot, though since then, he has remained the only consistent member. Under this moniker, Newell has released a multitude of albums, and this isn’t even taking into consideration his wealth of material under his own name. Starting with Blow Away Your Troubles, Newell showed the world what to expect from The Cleaners from Venus: wonderful, jangly music that was staunchly lo-fi.
From 1967 to 1974, The Beach Boys proved themselves to be remarkable composers, lyricists, and musicians, even with the dwindling participation of Brian, though he still contributed songs and ideas from time to time. Starting with Wild Honey and ending with Holland, there were ideas and gems abound on each tracklist.
I’ll start off this article with two words: two drummers. I’ll add another two for good measure: no bassist. That’s right, Pons is a three-piece band featuring a guitar, vocals, drums, and more drums. They’re truly a sight and sound to behold.
I’ll never forget when I began listening to Scottish band Glasvegas. In seventh grade, I started branching out from the music I heard in the car or on the radio and almost accidentally started listening to them. My dad had received their 2008 self-titled debut album from my uncle, and because of that I began listening to it. I immediately fell in love with the atmospheric, dense sonic world that Glasvegas created on the album. Songs such as “Geraldine,” “Go Square Go,” “Daddy’s Gone,” and “It’s My Own Cheating Heart That Makes Me Cry” tackled emotional themes while enveloping the listener in swirling guitars, rumbling bass, and simplistic yet effective drums. Although singer James Allen’s vocals were obscured by such a thick Scottish accent that I often had to look up the lyrics to understand what was being said, I still adored the album and still do to this day.
The chorus of the song, which was called “Only Wanna See U Tonight,” floated into my ears. The song had the trappings of late 70’s power pop mixed with the sheen of mid-90’s alt rock. Shining guitars popped out over crisp drums, melodic bass, peppy tambourine, and the almost saccharine vocals of the project’s mastermind, Ben Cook.
Buerak is a Russian post punk band that deserves far more attention than they get
I am an absolute sucker for Sarah Records bands. I first came across the label after seeing a picture of The Field Mice on Instagram. Thinking that they looked cool, and knowing that the band Seapony had covered one of their songs, I gave them a listen and was blown away. The jangly guitars, the punchy drum machines, the melodic bass, and the poetic lyrics quickly endeared me to the late 80’s-early 90’s indie band. Once I had dug through their catalogue, I began checking out the rest of Sarah Records’ roster, finding such amazing bands as Another Sunny Day, Brighter, and 14 Iced Bears. All these
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